故事发生在70年代的法国，西格蒙特（乔·达里桑德罗 Joe Dallesandro 饰）拥有一个幸福美满的家庭，太太贤惠温柔，孩子活泼可爱。因为公事，西格蒙特被派遣到巴黎出差，在那里，西格蒙特第一次领略到了大张旗鼓的色情场所带给他的震撼和诱惑。穿着暴露的法国女人们姿态优雅地在公寓里抽烟喝酒，供男人们选择，一个名叫狄安娜（西尔维娅·克里斯蒂 Sylvia Kristel 饰）的姑娘吸引了西格蒙特的注意。 　　狄安娜和西格蒙特共享了激情四射的一夜，这一夜让西格蒙特久久无法忘怀，之后，他们还相见了很多次，随着时间的推移，西格蒙特竟然付出了真心，狄安娜亦是如此。

故事发生在70年代的法国，西格蒙特（乔·达里桑德罗 Joe Dallesandro 饰）拥有一个幸福美满的家庭，太太贤惠温柔，孩子活泼可爱。因为公事，西格蒙特被派遣到巴黎出差，在那里，西格蒙特第一次领略到了大张旗鼓的色情场所带给他的震撼和诱惑。穿着暴露的法国女人们姿态优雅地在公寓里抽烟喝酒，供男人们选择，一个名叫狄安娜（西尔维娅·克里斯蒂 Sylvia Kristel 饰）的姑娘吸引了西格蒙特的注意。 　　狄安娜和西格蒙特共享了激情四射的一夜，这一夜让西格蒙特久久无法忘怀，之后，他们还相见了很多次，随着时间的推移，西格蒙特竟然付出了真心，狄安娜亦是如此。

A disembodied figure is carried off underground, where he encounters a vast living archive. Attached to this ever-expanding “network body” are capsules filled with fragments of thoughts. The only way our hero can escape is to fulfill the Sisyphean task that has been imposed on him. 　　A Stretch of Time is a new chapter in Ali Eslami’s ongoing project False Mirror, an artistic exploration of post-human life in digital spaces. The Iranian-born, Amsterdam-based artist won the IDFA DocLab Award for Best Immersive Non-Fiction in 2016 for his VR project DeathTolls Experience. 　　For this “flattie” film production, he used the virtual world of False Mirror as a film studio. The result is an intriguing blend of the languages of cinema, video games and virtual reality. It is as artificial as it is tangible, both real and unreal—a document from a world that exists only digitally.

A disembodied figure is carried off underground, where he encounters a vast living archive. Attached to this ever-expanding “network body” are capsules filled with fragments of thoughts. The only way our hero can escape is to fulfill the Sisyphean task that has been imposed on him. 　　A Stretch of Time is a new chapter in Ali Eslami’s ongoing project False Mirror, an artistic exploration of post-human life in digital spaces. The Iranian-born, Amsterdam-based artist won the IDFA DocLab Award for Best Immersive Non-Fiction in 2016 for his VR project DeathTolls Experience. 　　For this “flattie” film production, he used the virtual world of False Mirror as a film studio. The result is an intriguing blend of the languages of cinema, video games and virtual reality. It is as artificial as it is tangible, both real and unreal—a document from a world that exists only digitally.

If you're prepared for zombies, you're prepared for anything!

If you're prepared for zombies, you're prepared for anything!